Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pedalling
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Pedalling

b. 296-309

composition: Op. 44, Polonaise in F♯ minor

Pedalling in GE

No markings in FE (→EE)

..

In the main text we include the pedal markings of GE, entered probably into [A] after [FC] had been finished. We discuss b. 298 and 304 separately, in which the markings are also absent in GE.

category imprint: Differences between sources

b. 298

composition: Op. 44, Polonaise in F♯ minor

No markings in sources

Pedalling suggested by the editors

..

Like in analogous b. 65, in the main text we suggest adding pedal markings on the 1st beat of the bar after a comparison with b. 39, which is basically identical.

category imprint: Editorial revisions

b. 304

composition: Op. 44, Polonaise in F♯ minor

No markings in sources

Pedalling suggested by the editors

..

Like in b. 45, 71 and 278, in the main text we suggest adding pedal markings after b. 19.

category imprint: Editorial revisions

b. 310

composition: Op. 44, Polonaise in F♯ minor

in GE

No sign in FE (→EE)

..

In the main text we include the  mark present in GE. See b. 314-326.

category imprint: Differences between sources

b. 314-326

composition: Op. 44, Polonaise in F♯ minor

Pedalling in GE

No markings in FE (→EE)

..

In the main text we include the pedal markings of GE in b. 314-315, 320 and 323-326, entered probably into [A] after [FC] had been finished. We discuss b. 319 separately, in which the pedal markings of GE should be supplemented, according to us.

category imprint: Differences between sources