Issues : Errors in FE
b. 284
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we suggest the markings of FE for the chordal section starting from the syncopated crotchet; there is a possibility to add the staccato dot from GE in analogous b. 25. At the same time, we correct the third accent, which was misplaced, i.e. it was put over the first chord in b. 284 (which is tied!). EE1 repeated the mistake of FE and also overlooked the slur (which was added in EE2). category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Errors in EE , Authentic corrections of FE , Errors repeated in EE |
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b. 290
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composition: Op. 44, Polonaise in F♯ minor category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 291-292
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composition: Op. 44, Polonaise in F♯ minor
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Like in b. 58-59, in FE1 there is not a single raising g to g (in various octaves). The mistake was corrected in FE2 and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omission of current key accidentals , FE revisions |
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b. 294
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composition: Op. 44, Polonaise in F♯ minor
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The version of FE (→EE), identical to the version of GE and analogous b. 61 in terms of sound, possibly originated as an ad hoc correction of the engraver's mistake. category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error , Authentic corrections of FE |
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b. 299
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composition: Op. 44, Polonaise in F♯ minor
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The missing dot prolonging the bottom note of the octave, a2, despite the semblance of righteousness – in FE the bottom note is a quaver – is almost certainly an oversight. Wherever similarly written-down octaves (i.e. in two-part notation) are provided with dots, they are present next to both notes of an octave, irrespective of the notation of a given octave (one- or two-part). category imprint: Differences between sources issues: EE revisions , Errors in FE |