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Issues : Inaccuracies in FE
b. 132
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composition: Op. 44, Polonaise in F♯ minor
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According to us, the version of FE (→EE) most probably resulted from a misinterpretation of the manuscript – in Chopin's and Fontana's manuscripts it can be difficult to determine whether a chord contains a middle note on a ledger line – cf., e.g. the Etude in A category imprint: Differences between sources issues: Inaccuracies in FE , Uncertain notes on ledger lines |
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b. 142-144
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composition: Op. 44, Polonaise in F♯ minor
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The pedal markings of FE (→EE) in b. 142 and 144, whose authenticity cannot be denied, were most probably entered by Chopin into the basis for FE. It is indicated by the trace of correction visible in analogous b. 162 where the category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 147-150
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composition: Op. 44, Polonaise in F♯ minor
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In accordance with the explanation in the note to b. 127, in the main text we include the set of staccato dots of FE in b. 147-148 (the set was completed in EE2). Moreover, we suggest adding dots in b. 149-150 (in square brackets). category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 151
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composition: Op. 44, Polonaise in F♯ minor
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There is no cautionary category imprint: Differences between sources issues: EE revisions , Errors in FE , Inaccuracies in FE , Cautionary accidentals |
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b. 155
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composition: Op. 44, Polonaise in F♯ minor
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In FE (→EE1) there are no cautionary accidentals before the 1st R.H. quaver. The inaccuracy was corrected in EE2 (→EE3). The accidentals are also present in GE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , EE inaccuracies |