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Issues : Inaccuracies in FE
b. 125
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composition: Op. 44, Polonaise in F♯ minor
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According to us, the category imprint: Differences between sources issues: Long accents , Inaccuracies in FE |
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b. 127-130
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we give 10 staccato dots after EE2. Such an articulation is an obvious addition to the articulation of our principal source, i.e. FE, in which the staccato dot over the 2nd crotchet in b. 129 was overlooked. As far as GE are concerned, it seems that both the absence of dots in b. 127-128 and the dot at the beginning of b. 129 resulted from mistakes, i.e. an oversight and a routine addition, respectively. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 127
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we add the ending of the slur, since in the previous bar its shape in FE suggested that it should be continued. category imprint: Graphic ambiguousness; Editorial revisions |
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b. 131
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composition: Op. 44, Polonaise in F♯ minor
category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 131-139
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composition: Op. 44, Polonaise in F♯ minor
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We give the staccato dots under the bass notes after GE1, in which they are absent only in b. 135-136. According to us, it makes it possible for us to consider (with as high probability as possible) that Chopin's intention was to mark all those notes with dots. The clearly defective version of FE (→EE) probably resulted from the accumulation of the oversights by the engraver of FE1 with the earlier ones, in the handwritten basis for that edition. The omission of the marks in b. 137-139 in GE2 seems to be a revision. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |