Issues : Authentic corrections of FE
b. 67
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composition: Op. 44, Polonaise in F♯ minor
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According to us, the version with d resulted from Chopin having overlooked the in [A] (→GE). Therefore, in the main text we include the present in FE (→EE) and added presumably by Chopin while proofreading FE1. category imprint: Differences between sources issues: Omission of current key accidentals , Authentic corrections of FE |
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b. 71
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composition: Op. 44, Polonaise in F♯ minor
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GE has no cautionary to e1. category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 75-76
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with b. 23-24 and analogous, in the main text we follow FE, proofread by Chopin, in which he added three d notes in the L.H. part: on the 1st and 3rd beats of b. 75 and on the first beat of b. 76. category imprint: Differences between sources; Corrections & alterations |
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b. 76-78
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we suggest the markings of FE (→EE) for the chordal section (beginning with the syncopated crotchet); it is possible to supplement them with the staccato dot drawn from GE (present in analogous b. 25). category imprint: Differences between sources; Editorial revisions issues: Authentic corrections of FE |
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b. 94
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we give the enhanced version Chopin introduced while proofreading FE (→EE). A similar change was entered into b. 96; in both places one can see traces of changes being performed in print. The same applies to analogous b. 118 and 120. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors resulting from corrections , Omission of current key accidentals , Authentic corrections of FE , Main-line changes |