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Issues : Omission of current key accidentals
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b. 94
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we give the enhanced version Chopin introduced while proofreading FE (→EE). A similar change was entered into b. 96; in both places one can see traces of changes being performed in print. The same applies to analogous b. 118 and 120. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors resulting from corrections , Omission of current key accidentals , Authentic corrections of FE , Main-line changes |
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b. 95-96
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composition: Op. 44, Polonaise in F♯ minor
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In these bars Chopin overlooked the naturals lowering g category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 97
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composition: Op. 44, Polonaise in F♯ minor
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The missing naturals lowering c category imprint: Differences between sources issues: Errors in FE , Omission of current key accidentals , FE revisions |
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b. 107-108
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composition: Op. 44, Polonaise in F♯ minor
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The version of GE, in which the first two bars of this phrase are in the key of B minor, must be erroneous. It is the engraver of GE1 or Chopin in [A] that could be suspected of an oversight – after b. 103-106, in the key of C category imprint: Differences between sources issues: Errors in GE , Omission of current key accidentals , Errors repeated in GE |
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b. 274
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composition: Op. 44, Polonaise in F♯ minor
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According to us, the version with d resulted from Chopin having overlooked the category imprint: Differences between sources |
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