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Issues : Errors in FE
b. 20
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composition: Op. 44, Polonaise in F♯ minor
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Out of the three source versions of the double grace notes present both before the 3rd trill and after it, it is only one that is correct – A
In the discussed bar the missing category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Errors repeated in EE |
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b. 26
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composition: Op. 44, Polonaise in F♯ minor
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The missing staccato dots at the end of the bar in FE (→EE) are supposedly an oversight of the copyist or of the engraver. category imprint: Differences between sources issues: Errors in FE |
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b. 29
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composition: Op. 44, Polonaise in F♯ minor
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We give the rhythm of the 1st crotchet in the bar after the rhythmically correct version of GE, conveying almost certainly the text of [A]. FE1 contains an erroneous rhythm missing one demisemiquaver – category imprint: Differences between sources issues: Errors in FE , FE revisions |
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b. 29-30
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composition: Op. 44, Polonaise in F♯ minor
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The missing slur in FE is almost certainly an oversight of the copyist or of the engraver, repeated in EE. In the main text we follow GE. category imprint: Differences between sources issues: Errors in FE |
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b. 31
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composition: Op. 44, Polonaise in F♯ minor
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FE1 overlooked a quaver flag to the 2nd R.H. octave, f-f1. The mistake was repeated in EE1, and also omitted were the dots prolonging the e category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , FE revisions , Errors repeated in EE |