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Issues : Errors repeated in EE
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b. 49-50
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with b. 23-24 and analogous, we base the main text on FE, which was proofread by Chopin; we only omit the d note, which was certainly added by mistake to the A-a demisemiquaver in b. 50. That note was also abandoned by EE2 (→EE3), probably on the basis of a comparison with analogous b. 283. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Inaccuracies in FE , Accompaniment changes , Authentic corrections of FE , Errors repeated in EE |
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b. 50
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composition: Op. 44, Polonaise in F♯ minor
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Two rhythmic errors crept into FE1 here: at the beginning of the bar a dotted quaver and a semiquaver instead of a dotted semiquaver and demisemiquaver (in both parts) and a quaver triplet instead of a semiquaver triplet in the L.H. The latter was corrected in FE2 and EE1, while EE2 (→EE3) corrected both mistakes. category imprint: Differences between sources issues: EE revisions , Errors in FE , FE revisions , Errors repeated in EE |
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b. 67
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with b. 41, in FE (→EE1) there is no category imprint: Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors repeated in FE , Errors repeated in EE |
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b. 91
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composition: Op. 44, Polonaise in F♯ minor
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In FE1 (→EE1) the 1st note in the 2nd L.H. demisemiquaver group is a d. The patent mistake was rectified in FE2 and EE2 (→EE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , FE revisions , Errors repeated in EE |
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b. 95-96
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composition: Op. 44, Polonaise in F♯ minor
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In these bars Chopin overlooked the naturals lowering g category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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