Issues : EE revisions

b. 279

composition: Op. 44, Polonaise in F♯ minor

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In FE (→EE1) the double grace note before the 3rd crotchet in the bar is A-B, which is a mistake and which results in two identical notes. The error was rectified in EE2.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Errors repeated in EE

b. 284

composition: Op. 44, Polonaise in F♯ minor

No markings in GE

Accent & slur in FE & EE2, contextual interpretation

Accent in EE1, contextual interpretation

Our variant suggestion

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In the main text we suggest the markings of FE for the chordal section starting from the syncopated crotchet; there is a possibility to add the staccato dot from GE in analogous b. 25. At the same time, we correct the third accent, which was misplaced, i.e. it was put over the first chord in b. 284 (which is tied!). EE1 repeated the mistake of FE and also overlooked the slur (which was added in EE2).   

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Errors in FE , Errors in EE , Authentic corrections of FE , Errors repeated in EE

b. 286

composition: Op. 44, Polonaise in F♯ minor

Arpeggio in GE, FE & EE2 (→EE3)

No mark in EE1

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The absence of the mark in EE1 is most probably an oversight of the engraver, corrected in EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 290

composition: Op. 44, Polonaise in F♯ minor

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FE overlooked the dots prolonging the e-e1 octave. The mistake was corrected in EE.

category imprint: Differences between sources

issues: EE revisions , Errors in FE

b. 291-292

composition: Op. 44, Polonaise in F♯ minor

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Like in b. 58-59, in FE1 there is not a single  raising g to g (in various octaves). The mistake was corrected in FE2 and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Omission of current key accidentals , FE revisions