Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 44, Polonaise in F♯ minor
These bars – from the 2nd quaver in b. 220 – have their prototype in the second part of AImaz. In this autograph they were written down – as was the case with the first phrase corresponding to b. 200-206 – half a tone lower (from B
major in b. 220-226 to E major in b. 236-243) and with numerous differences with respect to the final version of the Polonaise. We discuss them in separate notes, providing the pitch after transposition half a tone higher, to the key visible in the main text and sources of the entire Polonaise.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
notation: Shorthand & other
