Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 44, Polonaise in F♯ minor
In the main text we add an arpeggio mark after a comparison with analogous b. 33 as well as with b. 109. In the case of chords with such a span, Chopin most probably meant the marks placed in those bars before the first chord to apply to all the following ones in this and analogous bars.
Compare the passage in the sources »
category imprint: Editorial revisions
notation: Ornaments
