Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 44, Polonaise in F♯ minor
Like in analogous b. 55, it seems unlikely that Chopin would have wanted to forgo an arpeggio in this figure. The missing arpeggio in FE could be explained by an oversight in the basis or by it having been entered into [A] after [FC] (→FE) had been finished.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Ornaments
