In GE the arpeggio mark is placed before the grace note, while in b. 288 (which in [A] is a not written-out repetition of the discussed bar) – before the d
3-d4 octave. One of those versions of notation is therefore most probably inaccurate; we assume the more natural position of the mark in b. 288 to be correct. The missing arpeggio in FE seems to be an oversight of the engraver; however, it cannot be ruled out that Chopin entered it into [A] after Fontana had already finished [FC] (→FE). The least likely possibility is Chopin omitting the arpeggio on purpose (in any way).
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
notation: Ornaments
