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b. 25
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composition: Op. 44, Polonaise in F♯ minor
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The slur over two chords occurs only in FE (→EE). Chopin probably added it while proofreading FE1 or perhaps it was entered already into the basis for FE. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 25
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composition: Op. 44, Polonaise in F♯ minor
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In FE (→EE1) the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , Errors repeated in EE |
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b. 26
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composition: Op. 44, Polonaise in F♯ minor
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The missing staccato dots at the end of the bar in FE (→EE) are supposedly an oversight of the copyist or of the engraver. category imprint: Differences between sources issues: Errors in FE |
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b. 26
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composition: Op. 44, Polonaise in F♯ minor category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 27
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composition: Op. 44, Polonaise in F♯ minor
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In FE (→EE) the arpeggio is written down as a vertical curved line before the f-f1 octave, which we replace with a common wavy line – cf. General Editorial Principles, p. 5a. To the main text we adopt the order of marks of FE, which is more natural in this context. category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Arpeggio – vertical slur |
lowering g
to g is missing. This patent oversight, probably by Chopin himself, was corrected in 
raising e to e
