



b. 16
|
composition: Op. 44, Polonaise in F♯ minor
..
In the main text we include the naturals before the penultimate R.H. octave (d3-d4) present in GE and EE. The absence of those accidentals in FE suggests that they were not included in the manuscripts and that the revisers of EE and GE added them while correcting an overlooked cancellation of alteration (typical of Chopin). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors repeated in FE |
|||||
b. 16
|
composition: Op. 44, Polonaise in F♯ minor
..
In FE we can see here traces of g category imprint: Source & stylistic information |
|||||
b. 17-32
|
composition: Op. 44, Polonaise in F♯ minor
..
In the main text we include the pedalling of GE, added probably in [A] after [FC] had already been finished. category imprint: Differences between sources |
|||||
b. 17
|
composition: Op. 44, Polonaise in F♯ minor
..
We add cautionary naturals to the octave E1-E in the main text. category imprint: Editorial revisions |
|||||
b. 17-18
|
composition: Op. 44, Polonaise in F♯ minor
..
In FE (→EE) the L.H. part octaves (from the 2nd beat of b. 17 to the end of the 1st beat of b. 18) are written in a simplified way with the use of con 8va. In the process, in FE both ties to F category imprint: Differences between sources issues: EE revisions , Errors in EE , Abbreviated octaves' notation |