Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 28 No. 24, Prelude in D minor
In the main text we give a trill with a wavy line, although Chopin wrote only 
in A. The Chopinesque trills are written down with or without wavy lines, which does not influence the performance in the case of an ornament with a written-out ending. It is difficult to say what the motivation of Fontana was when he was adding a wavy line after the mark and of the engraver of GE when he was omitting that element.
Compare the passage in the sources »
category imprint: Differences between sources; Editorial revisions
issues: Fontana's revisions
notation: Ornaments
