Page: 
Source: 
p. 2, b. 25-48
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-81
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
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Articulation, Accents, Hairpins
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No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 36

Crotchet f2 in A (→FCGE)

No crotchet in A (contextual interpretation→FEEE)

Due to crossings-out and corrections, the notation of the 3rd beat of the bar is not entirely clear in A, which is proven by the difference between the versions of FC (→GE) and FE (→EE). According to us, it is more likely that Chopin wanted to remove the f2 crotchet, as it was interpreted in FE, and this is the version we give in the main text.

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category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations; Source & stylistic information

issues: Corrections in A, Deletions in A

notation: Pitch

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a