



Pitch
b. 24
|
composition: Op. 28 No. 12, Prelude in G♯ minor
..
The suggested version based on an A major chord can be considered an acceptable variant. The version was probably the initial one in A; Chopin then changed it to a version that does not sonically diverge from the next two bars. According to us, that change, however, could have been a result of a confusion: b. 24-25 could have been taken for b. 25-26. category imprint: Interpretations within context; Editorial revisions; Source & stylistic information issues: Corrections in A , Errors resulting from corrections |
|||
b. 24
|
composition: Op. 28 No. 12, Prelude in G♯ minor
..
In A (→FC,FE) there is not a single category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Last key signature sign , Errors repeated in FE |
|||
b. 25-27
|
composition: Op. 28 No. 12, Prelude in G♯ minor
..
As was the case with b. 24, in A (→FC,FE) there is not a single category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Last key signature sign , Errors repeated in GE , Errors repeated in FE |
|||
b. 26
|
composition: Op. 28 No. 12, Prelude in G♯ minor
..
In GE the grace note is a g category imprint: Interpretations within context; Differences between sources issues: Errors in GE |
|||
b. 27
|
composition: Op. 28 No. 12, Prelude in G♯ minor
..
In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions |