Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 12, Prelude in G♯ minor
This bar was entirely crossed out in A and rewritten on adjacent staves – the R.H. above the crossing-out, while the L.H. – below. In the readable initial version, the regular steps of the R.H. quavers and the position of the 1st L.H. chord are preserved, while the f1 notes are written enharmonically as e
1: 
. The corrections had been performed before the performance marks were introduced – the crossed-out version did not contain the following elements: accent, staccato dots, phrase mark, dashes marking the range of crescendo and pedalling marks. The 
restoring b1 on the 3rd beat of the bar was also missing.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Omissions to cancel alteration, Corrections in A, Deletions in A, Accompaniment changes, Enharmonic corrections, Main-line changes
notation: Pitch
