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b. 26
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In A (→FC) Chopin wrote here only the top slur and pedalling markings. The remaining contents of this bar were marked as a repetition of the previous one with the help of two •/• marks. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 26
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In GE the grace note is a g category imprint: Interpretations within context; Differences between sources issues: Errors in GE |
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b. 27
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 27-32
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In these bars Chopin would consistently put accidentals in A (→FE) only next to the bottom notes of the L.H. octaves (or not at all, as is the case with the 2nd crotchet in b. 27-28). Moreover, in b. 32 the category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: EE revisions , Accidentals in different octaves , GE revisions , Deletions in A , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 28
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composition: Op. 28 No. 12, Prelude in G♯ minor
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The slur of A, although perfectly clear, was overlooked both in FC (→GE) and FE (→EE). See also bars 29-30. category imprint: Differences between sources issues: Errors in FE , Errors of FC |
1, which is a patent mistake.
before f
lowering c
