Issues : Errors in FE
b. 10-12
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composition: Op. 28 No. 22, Prelude in G minor
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The missing slur in b. 10-11 and the slur in b. 12 in FE (→EE1) must be oversights of the engraver. The earlier starting point of the slur in b. 10 in GE is probably a result of the notation of FC, in which the beginning of that slur may suggest such an interpretation (Fontana probably took the bottom arm of the accent/diminuendo in A for the beginning of the slur). In EE2 the slurs were added probably after GE (in b. 10 inaccurately). category imprint: Differences between sources issues: EE revisions , Errors in FE , Inaccuracies in GE |
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b. 17-19
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composition: Op. 28 No. 22, Prelude in G minor
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The omitted staccato dots over the 1st octave in b. 17 and 19 (as well as 25 and 27) are mistakes of Fontana and the engraver of FE. category imprint: Differences between sources issues: Errors in FE , Errors of FC |
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b. 25-27
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composition: Op. 28 No. 22, Prelude in G minor
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These bars are a repetition of b. 17-19; likewise, the staccato dots written in A were not reproduced in any of the remaining sources. category imprint: Differences between sources issues: Errors in FE , Errors of FC |
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b. 33-34
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composition: Op. 28 No. 22, Prelude in G minor
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The omitted pedalling markings in these bars resulted from the carelessness of the engravers of FE and EE. category imprint: Differences between sources issues: Errors in FE , Errors in EE |
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b. 35-37
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composition: Op. 28 No. 22, Prelude in G minor
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The omission of three slurs in these bars is most probably a mistake of FE, while the change of the range of the slurs in b. 36-37 is probably a revision unifying them with the authentic slur in b. 35-36. However, it does not result from the notation of the manuscripts, in spite of their minor inaccuracies. category imprint: Differences between sources issues: Errors in FE , GE revisions |