Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 22, Prelude in G minor
In A this bar is added on a stave below; the place in which it should be inserted is also marked. The addition of the bar could have been related to the changes of the rhythmic values of the final cadence, which was initially a bar longer.
In FC the bar was marked in an abridged manner as repetition of the previous one.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information
issues: Corrections in A, Fontana's revisions
notation: Shorthand & other
