



b. 17
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composition: Op. 28 No. 22, Prelude in G minor
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EE omitted the category imprint: Differences between sources issues: Errors in EE |
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b. 19
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composition: Op. 28 No. 22, Prelude in G minor category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE |
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b. 21-29
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composition: Op. 28 No. 22, Prelude in G minor
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In the 2nd half of b. 21, A (→FC) places an unjustified category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Cautionary accidentals , FE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 22-30
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composition: Op. 28 No. 22, Prelude in G minor
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category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 23-24
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composition: Op. 28 No. 22, Prelude in G minor
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The crossings-out and corrections visible in A reveal that Chopin initially wrote 4 bass octaves as dotted crotchets. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |