



b. 8-9
|
composition: Op. 28 No. 22, Prelude in G minor
..
The inaccurate, later starting point of the slur in EE is most probably a mistake of the engraver. category imprint: Differences between sources issues: EE inaccuracies |
|||||
b. 8
|
composition: Op. 28 No. 22, Prelude in G minor
..
We add a cautionary category imprint: Editorial revisions |
|||||
b. 8
|
composition: Op. 28 No. 22, Prelude in G minor category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
|||||
b. 8
|
composition: Op. 28 No. 22, Prelude in G minor
..
In GE the last L.H. octave is erroneously a quaver. category imprint: Differences between sources issues: Errors in GE |
|||||
b. 9-10
|
composition: Op. 28 No. 22, Prelude in G minor
..
The slur of A does not reach b. 10; however, it cannot be ruled out that this is what Chopin's idea looked like – cf. the next two slurs in this phrase. Fontana implemented that possibility in FC (→GE); it even seems that he was prolonging that slur on purpose. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Fontana's revisions |