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b. 9
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composition: Op. 28 No. 10, Prelude in C♯ minor
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In the main text we add a cautionary category imprint: Editorial revisions; Source & stylistic information issues: Cautionary accidentals , Deletions in A |
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b. 9
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composition: Op. 28 No. 10, Prelude in C♯ minor
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In A (→FC,FE) there is no category imprint: Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE |
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b. 10-11
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composition: Op. 28 No. 10, Prelude in C♯ minor
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The ending of the slur in A is unclear – the slur reaches more or less the middle of the crossed-out, initial version of b. 11 (probably it was only the R.H. part that was written down). Therefore, it may mean a slur reaching further than the end of b. 10 or a slur that does not reach the f category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
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b. 11
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composition: Op. 28 No. 10, Prelude in C♯ minor
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In the main text we add cautionary sharps before d category imprint: Editorial revisions |
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b. 11-12
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composition: Op. 28 No. 10, Prelude in C♯ minor
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The missing slur in FC (→GE) is an oversight of Fontana. The slur of A was being extended so that it could also encompass the last crotchet in b. 12. The added fragment ends already in the next bar, in which, however, there is not a single element of notation to which it could have been led. Therefore, it is simply an inaccuracy, quite frequent for Chopin. category imprint: Differences between sources; Source & stylistic information issues: Inaccurate slurs in A , Corrections in A , Embracing slurs , Errors of FC |
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