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Issues : GE revisions
b. 19-23
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A Chopin overlooked a few necessary flats in the R.H. part: in b. 19 d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in FC , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 23
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composition: Op. 28 No. 21, Prelude in B♭ major
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In the main text we give the version of A (→FE→EE), which does not raise any doubts, in spite of the missing category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: EE revisions , Errors in GE , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in FE |
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b. 31
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A (→FE,FC→GE1) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in FE |
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b. 39-40
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composition: Op. 28 No. 21, Prelude in B♭ major
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Adding a slur in the L.H. part, moving in parallel to the R.H., is a frequent revision in German editions (especially later ones) – cf., e.g. the Concerto in F Minor, Op. 21, II mov., b. 65-68. category imprint: Differences between sources issues: GE revisions |
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b. 50-52
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composition: Op. 28 No. 21, Prelude in B♭ major
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Formally speaking, the revision of GE2 is justified – in the "voice" provided with a stem pointing upwards, the bar is incomplete. However, Chopin would rarely enter rests in such situations; an oversight of dots extending minims seems to be highly unlikely due to the fact that the notation of these chords was corrected a few times, including the crossed-out rest on the 3rd beat of b. 51. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , GE revisions , Deletions in A , Accompaniment changes , Changed phrase length |