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Issues : Errors repeated in FE
b. 6
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composition: Op. 28 No. 21, Prelude in B♭ major
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The sources do not contain an accidental before the top note of the third on the 4th quaver in the bar, as a result of which it should be interpreted as e-g category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 18-20
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A (→FE) there is not a single category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 19-23
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A Chopin overlooked a few necessary flats in the R.H. part: in b. 19 d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in FC , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 21-22
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composition: Op. 28 No. 21, Prelude in B♭ major
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In these bars Chopin did not enter any accidentals into the L.H. part at all. All necessary flats were added in FC (→GE); they are also in EE. In turn, FE added accidentals only before the fifths that open the bars. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors of A , FE revisions , Fontana's revisions , Errors repeated in FE |
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b. 23
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composition: Op. 28 No. 21, Prelude in B♭ major
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In the main text we give the version of A (→FE→EE), which does not raise any doubts, in spite of the missing category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: EE revisions , Errors in GE , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in FE |