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Issues : Errors in FE
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b. 17
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composition: Op. 28 No. 21, Prelude in B♭ major
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As was the case in b. 13, in the main text we include the staccato dot written in A and omitted in all the remaining sources. category imprint: Differences between sources issues: Errors in FE , Errors of FC |
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b. 19-23
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A Chopin overlooked a few necessary flats in the R.H. part: in b. 19 d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in FC , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 28
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composition: Op. 28 No. 21, Prelude in B♭ major
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In the notation of A (→FC), reproduced by us in the main text, in which g category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 33-36
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composition: Op. 28 No. 21, Prelude in B♭ major
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In the main text we give a contextual interpretation of the slurring of A – we consider the bottom slur in b. 33, which closes the line, to be inaccurate, since it is too short (like in a few other places, see b. 1). The clearly extended slurs in subsequent analogous bars undoubtedly reveal Chopin's intention. However, this notation was not reproduced correctly in any of the sources, which may be explained by revision (in all cases), an erroneous interpretation (FC) or carelessness (GE). category imprint: Graphic ambiguousness issues: Errors in FE , Inaccurate slurs in A , Errors in GE , FE revisions , Inaccuracies in FC , Uncertain slur continuation |
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b. 44
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composition: Op. 28 No. 21, Prelude in B♭ major
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In FE the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE |
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