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Issues : FE revisions
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b. 22
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composition: Op. 28 No. 8, Prelude in F♯ minor
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The category imprint: Editorial revisions; Corrections & alterations; Source & stylistic information issues: EE revisions , Corrections in A , Cautionary accidentals , Deletions in A , Enharmonic corrections , FE revisions |
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b. 22
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composition: Op. 28 No. 8, Prelude in F♯ minor
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FE and GE did not use the abridged notation of the 2nd and 4th beats of the bar applied in A (→FC); however, none of the accidentals was repeated on those beats in FE1, which resulted in a mistake in the 4th R.H. group – first, c3 was not raised to c category imprint: Differences between sources issues: Errors in FE , FE revisions |
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b. 22
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A each of the two R.H. slurs encompasses – unlike in the L.H. – the repeat sign, marking the 2nd and 4th beats of the bar, respectively. Therefore, they are two half-bar slurs, which we give in the main text. In FC the slurs are clearly shorter, hence they are to be interpreted as encompassing only one group of demisemiquavers, which, after taking into account the repeat signs, results in 4 slurs in this bar. Both FE (→EE) and GE misinterpreted the slurs of the manuscripts as one slur over an entire bar. category imprint: Differences between sources issues: GE revisions , FE revisions , Inaccuracies in FC |
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b. 23
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A (→FC→GE1) there is no accidental before the 4th demisemiquaver in the 3rd group, as a result of which it is to be interpreted as a d
However, since we cannot rule out an accidental oversight of a natural by Chopin in the discussed place (and hence the accuracy of Fontana's revision in FE), in the main text we include both possibilities in a variant form, giving preference to the literally interpreted version of A featuring a d category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Omissions to cancel alteration , GE revisions , FE revisions |
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