Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 23

d3 in A (→FCGE1), literal reading

d3 in FE (→EE) & GE2 (→GE3)

Our variant suggestion

In A (→FCGE1) there is no accidental before the 4th demisemiquaver in the 3rd group, as a result of which it is to be interpreted as a d3. In FE (→EE), as well as in GE2 (→GE3), a  was added, thus lowering it to d3. In this case, Fontana's addition seems arguable, since there is a number of source and music arguments for d3

  • the crossings-out and corrections visible in the adjacent bars prove that Chopin controlled the accidentals in A, cf. b. 22 and 24;
  • the use of d1 and d2 after the C minor chord in b. 24 was marked by Chopin with naturals both in the R.H., where this accidental is necessary, and in the L.H., where it is only of a cautionary nature;
  • Chopin used a similar combination of notes enclosing a major chord in b. 24 (a1 and c2 next to the G major chord).

However, since we cannot rule out an accidental oversight of a natural by Chopin in the discussed place (and hence the accuracy of Fontana's revision in FE), in the main text we include both possibilities in a variant form, giving preference to the literally interpreted version of A featuring a d3.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Omissions to cancel alteration, GE revisions, FE revisions

notation: Pitch

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