



Pitch
b. 44
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composition: Op. 28 No. 19, Prelude in E♭ major
..
In the last R.H. triplet, A (→FC,FE) contains only the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 45
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composition: Op. 28 No. 19, Prelude in E♭ major
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In the main text we add a cautionary category imprint: Editorial revisions |
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b. 49
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composition: Op. 28 No. 19, Prelude in E♭ major
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The main text – the 8th g quaver – comes from A (→FC→GE1,→FE→EE). However, the analysis of the corrections visible in A in the final section of the Prelude leads to the conclusion that it may be the uncorrected initial version and that the intended note was a b category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: GE revisions , Omitted correction of an analogous place |
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b. 51-59
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composition: Op. 28 No. 19, Prelude in E♭ major
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In b. 51 and 59 we add cautionary naturals before c3 in the main text. category imprint: Editorial revisions |
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b. 52
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composition: Op. 28 No. 19, Prelude in E♭ major
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Unlike in the other 3 analogous bars, in A (→FE1,FC→GE) there is no cautionary category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , FE revisions |