![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : GE revisions
b. 33
|
composition: Op. 28 No. 19, Prelude in E♭ major category imprint: Differences between sources issues: GE revisions |
|||
b. 35
|
composition: Op. 28 No. 19, Prelude in E♭ major
..
As was the case in b. 3 and 11, there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
|||
b. 40
|
composition: Op. 28 No. 19, Prelude in E♭ major
..
In the main text we add cautionary flats before the 3rd L.H. quaver (a category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
|||
b. 44
|
composition: Op. 28 No. 19, Prelude in E♭ major
..
In the last R.H. triplet, A (→FC,FE) contains only the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
|||
b. 49
|
composition: Op. 28 No. 19, Prelude in E♭ major
..
The main text – the 8th g quaver – comes from A (→FC→GE1,→FE→EE). However, the analysis of the corrections visible in A in the final section of the Prelude leads to the conclusion that it may be the uncorrected initial version and that the intended note was a b category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: GE revisions , Omitted correction of an analogous place |