Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 19, Prelude in E♭ major
Some L.H. figures were marked in the manuscripts in an abridged manner as repetitions of the preceding ones. FC (b. 51-53 and 57-61) contains more abridgements than A (b. 51, 57 and 60-61). This is because in A some figures were initially different from the preceding ones; it was only after corrections that they became identical, and the copyist, upon seeing the final text with a greater number of repetitions, made his work easier.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Abbreviated notation of A, Fontana's revisions
notation: Shorthand & other
