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Shorthand & other

b. 1-10

composition: Op. 28 No. 19, Prelude in E♭ major

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In A (→FC) these bars are numbered for an easier identification while implementing the abridged notation of b. 33-42 as a repetition of b. 1-10.

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 33-42

composition: Op. 28 No. 19, Prelude in E♭ major

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In A (→FC) these bars are marked in an abridged manner with empty bars, numbered from 1 to 10, which indicates that b. 1-10 should be repeated.

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A

b. 51-61

composition: Op. 28 No. 19, Prelude in E♭ major

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Some L.H. figures were marked in the manuscripts in an abridged manner as repetitions of the preceding ones. FC (b. 51-53 and 57-61) contains more abridgements than A (b. 51, 57 and 60-61). This is because in A some figures were initially different from the preceding ones; it was only after corrections that they became identical, and the copyist, upon seeing the final text with a greater number of repetitions, made his work easier.

category imprint: Differences between sources

issues: Abbreviated notation of A , Fontana's revisions