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Issues : Annotations in teaching copies
b. 11
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composition: Op. 28 No. 7, Prelude in A major
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In A (→FE,FC→GE1) there is no category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , GE revisions , Errors of A , Annotations in FES , Annotations in FESch , Errors repeated in GE , Errors repeated in FE |
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b. 11
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composition: Op. 28 No. 7, Prelude in A major
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In the main text we include the fingering, coming most probably from Chopin, entered into FED. The entry concerning this semiquaver is blurry and thus difficult to interpret – it consists of two parts, under and above notes, out of which each seems to contain certain digits, perhaps combined with other signs. We base our interpretation on the assumption that each part was being written at a different time, probably by a different person, but both contain digits '1' and '2', written one above the other. This corresponds to the – practically the only possible – fingering of this place, while the performance of the entry emphasizes the need for holding the c category imprint: Graphic ambiguousness; Differences between sources |
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b. 12
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composition: Op. 28 No. 7, Prelude in A major
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The version entered – most probably by Chopin – into FES may be considered an acceptable variant, facilitating the performance (Chopin did not cross out the fingering, but it is clear that it does not apply to this version). In GE the R.H. chord was written in a complicated, obscure manner (reproduced only in the graphical transcription – version "transcription"), not resulting from the notation of A (→FC), i.e. the a category imprint: Differences between sources; Editorial revisions issues: Annotations in teaching copies , Inaccuracies in GE , Annotations in FES |
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b. 13
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composition: Op. 28 No. 7, Prelude in A major
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In A (→FE) and CGS there is no accidental before the bottom note of the last R.H. crotchet. Therefore, it should be interpreted as an a category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omissions to cancel alteration , Errors of A , Annotations in FES , Fontana's revisions , Errors repeated in FE |