mUltimate Chopin

Op. 11, Concerto in E minor, Mvt II

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Page: 
Source: 
p. 1, b. 1-24
p. 1, b. 1-24
p. 2, b. 25-39
p. 3, b. 40-50
p. 4, b. 51-62
p. 5, b. 63-77
p. 6, b. 78-91
p. 7, b. 92-103
p. 8, b. 104-113
p. 9, b. 114-126
Main text
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 16

1 in FE

No fingering in GE

1-2-4-5 in EE

1[ suggested by the editors

According to us, the 1st finger given in FE next to the d1 note indicates a simultaneous performance of the d1-f1 third with that finger. The same is suggested by the fingering added by Fontana in EE. No fingering in GE may indicate that Chopin added the digit in FE in the last phase of proofreading. There is a similar situation in analogous bar 57. 

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Authentic corrections of FE

notation: Fingering

Missing markers on sources: FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a
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