![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Fontana's revisions
b. 13
|
composition: Op. 28 No. 7, Prelude in A major
..
In A (→FE) and CGS there is no accidental before the bottom note of the last R.H. crotchet. Therefore, it should be interpreted as an a category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omissions to cancel alteration , Errors of A , Annotations in FES , Fontana's revisions , Errors repeated in FE |
|||
b. 15
|
composition: Op. 28 No. 7, Prelude in A major
..
Replacing non-slashed grace notes – small quavers – by slashed ones is one of the mannerisms of Fontana as a copyist. As Chopin did not strictly observe the difference between both types of grace notes, in this case both versions of notation have the same meaning. category imprint: Differences between sources issues: Notation of grace notes , Fontana's revisions |