mUltimate Chopin

Op. 28 No. 7, Prelude in A major

Text Compare Notes Sources Description
EE1
Main text
A - Autograph
FC - Fontana's copy
CXI - Copy of earlier version
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 15

Unslashed grace note in A (→FE→EE) & CGS

Slashed grace note in FC (→GE)

Replacing non-slashed grace notes – small quavers – by slashed ones is one of the mannerisms of Fontana as a copyist. As Chopin did not strictly observe the difference between both types of grace notes, in this case both versions of notation have the same meaning.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Notation of grace notes, Fontana's revisions

notation: Ornaments

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