Page: 
Source: 
p. 2, b. 22-43
p. 1, b. 1-21
p. 2, b. 22-43
Main text
Main text
AI - Presentation autograph
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Presentation autograph
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 25-31

No markings in AI

3 long accents in A

   in GE1 (→FEEE)

   in GE2

The interpretation of the marks at the beginning of bars 25, 27 and 31 as long accents is supported by the analogy with bars 1, 3 and 7, in which Chopin in A wrote the accents in a more precise manner than he did in bars 25, 27 and 31.

Learn more »

category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations

issues: Long accents, Inaccuracies in GE, GE revisions

notation: Articulation, Accents, Hairpins