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p. 2, b. 22-43
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The interpretation of the marks at the beginning of bars 25, 27 and 31 as long accents is supported by the analogy with bars 1, 3 and 7, in which Chopin in A wrote the accents in a more precise manner than he did in bars 25, 27 and 31.
category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations
issues: Long accents, Inaccuracies in GE, GE revisions
notation: Articulation, Accents, Hairpins