Articulation, Accents, Hairpins
b. 1-7
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composition: Op. 24 No. 3, Mazurka in A♭ major
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AI has no accents for g1 in bars 1, 3 & 7 (a similar situation appears in bar 25, 27 & 31). The discussed bars are among few places in which Chopin's long accents are reproduced quite precisely in GE (→FE→EE). category imprint: Differences between sources issues: Long accents |
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b. 2
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composition: Op. 24 No. 3, Mazurka in A♭ major
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A (→GE→FE→EE) has a mark here. In the main text we propose reading it as a long accent for f2, guided first of all by the analogy with bar 26 in A. In AI there is no mark at all. category imprint: Differences between sources; Editorial revisions issues: Long accents |
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b. 3-8
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composition: Op. 24 No. 3, Mazurka in A♭ major
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We reproduce the signs in bars 3-4 and 7-8 in the main text according to A. In bars 7-8 in GE (→FE→EE) those signs were reproduced slightly inaccurately. AI has accents instead of hairpins for d flat2 (a long and a short one), while the accents over a flat1 in bars 4 and 8 are missing. category imprint: Differences between sources |
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b. 5-9
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In bars 5 and 9 all the first editions have staccato dots instead of wedges clearly written in A. Such a characteristic inaccuracy of GE (→FE→EE) occurs throughout the entire Mazurka. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 5-9
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composition: Op. 24 No. 3, Mazurka in A♭ major
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Chopin replaced the written in AI with a long accent in A (→GE1→FE→EE). In GE2 the sign was replaced with diminuendo hairpins. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , Placement of markings |