EE1
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 17

2 long accents & staccato dot in A

Long accent in FC

Short accent in L.H. in FE1

Short & long accents in FE2

Short accent in GE

Vertical & long accent in EE

In the main text we reproduce the very precise performance marks for the chord on the 2nd beat of the bar in A: long accents over f4 and the L.H. chord and a staccato dot under f3. The R.H. marks were overlooked both in FC (→GE) and FE1, which is justified to a certain extent, since both marks are poorly visible. The L.H. accent (short) was placed in FE under the chord, as a result of which the R.H. octave is not accented at all. FE2 tried to amend it by adding a long accent under it. Introduction of a vertical accent in EE is an arbitrary decision typical of that publisher – cf. the previous bar.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Long accents, EE revisions, Errors in FE, Inaccuracies in GE, Placement of markings, FE revisions, Errors of FC

notation: Articulation, Accents, Hairpins

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Original in: Pierpont Morgan Library, New York