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Issues : Accompaniment changes
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b. 49
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composition: Op. 28 No. 17, Prelude in A♭ major
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In the chord on the 4th quaver in the bar, FCI includes an additional note (c category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 50-51
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composition: Op. 28 No. 17, Prelude in A♭ major
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In FCI the structure of all the accompanying quavers in b. 50 (from the 2nd to the 6th) is similar – 3 notes each in the part of each of the hands, hence c category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Bass register changes |
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b. 51
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composition: Op. 28 No. 17, Prelude in A♭ major
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In FCI the b1 notes on the 2nd and 3rd quavers in the bar are assigned to the L.H. The crossings-out visible in A reveal that Chopin moved them to the R.H. only when writing A. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 54-56
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composition: Op. 28 No. 17, Prelude in A♭ major
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In these bars the version of FCI clearly deviates from the final one – different harmonic rhythm in b. 54 and different shape of the melody in b. 55-56. We can also observe small changes to the arrangement of chords and enharmonic notation. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Enharmonic corrections , Main-line changes |
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b. 65-66
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composition: Op. 28 No. 17, Prelude in A♭ major
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In FCI the L.H. part in b. 65 clearly differs from the final version; however, it is important to mention that the interpretation of the 2nd and 3rd quavers is uncertain due to the poor quality of the photograph available to the mUltimate Chopin editors. The uncertainty concerns the pitch of the top notes, which we interpret as c1, since they are placed on a ledger line. However, we cannot rule out a possibility of them having been corrected, perhaps to b category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Accompaniment changes |
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