Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 17, Prelude in A♭ major
The earlier version of FCI allows us to trace the process of enhancing the details (carried out by Chopin):
- the bass sequence in b. 54 begins only just from the 3rd quaver; the C-c octave is not repeated; R.H. chords are also changed accordingly;
- in b. 54 there is c2 instead of b
1 and d2 instead of e
2; - the shape of the melody in the 2nd half of b. 55 and the 1st half of b. 56 was changed;
- the B bass note is not repeated at the beginning of b. 56, in which the accompaniment consists of 6 identical chords.
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information
issues: Accompaniment changes, Enharmonic corrections, Main-line changes
notation: Pitch
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