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Issues : Main-line changes
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b. 54-56
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composition: Op. 28 No. 17, Prelude in A♭ major
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In these bars the version of FCI clearly deviates from the final one – different harmonic rhythm in b. 54 and different shape of the melody in b. 55-56. We can also observe small changes to the arrangement of chords and enharmonic notation. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Enharmonic corrections , Main-line changes |
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b. 79-81
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composition: Op. 28 No. 17, Prelude in A♭ major
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At the beginning of b. 79, in FCI we can see a d category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Main-line changes |
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b. 88-90
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composition: Op. 28 No. 17, Prelude in A♭ major
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In FCI the R.H. part consists of two voices – the 3-bar-long a category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Main-line changes |
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