![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Deletions in A
b. 1
|
composition: Op. 28 No. 5, Prelude in D major
..
Under the crossing-out in A, one can see that the initial tempo marking was Vivace. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
|||||
b. 13-32
|
composition: Op. 28 No. 5, Prelude in D major
..
In each of b. 13-16 and 29-32, Chopin initially separated in A the 3rd and 5th semiquavers (b1-e category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Corrections in A , Errors resulting from corrections , Deletions in A , Accompaniment changes , Errors of FC |
|||||
b. 34-35
|
composition: Op. 28 No. 5, Prelude in D major
..
The corrections performed in A reveal that the last semiquaver in b. 34 and the second one in b. 35 were initially g1-f category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
|||||
b. 36
|
composition: Op. 28 No. 5, Prelude in D major
..
Just like in b. 34-35, Chopin changed the pitch of the 2nd and 4th notes in A from g1-f category imprint: Differences between sources; Source & stylistic information issues: Corrections in A , Errors resulting from corrections , GE revisions , Deletions in A |