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Issues : Inaccuracies in FE
b. 1-5
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composition: Op. 28 No. 5, Prelude in D major
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The differences between the sources result from mistakes and inaccuracies of both the copyist and the engravers of FE and GE. However, the issues concerning the decipherment and the interpretation of A were caused by, e.g. a dense notation, without spaces between the staves – actually, in A there is no space for pedalling markings, added later, which resulted in them being placed inaccurately at times. The interpretation of A given in the main text corrects the position of the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Errors in GE , GE revisions , Inaccuracies in FC , Inaccuracies in A |
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b. 14-16
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composition: Op. 28 No. 5, Prelude in D major
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At times, the pedalling of A is difficult to interpret here due to a dense notation and crossings-out. The category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Errors in EE , Inaccuracies in A |
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b. 29-32
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composition: Op. 28 No. 5, Prelude in D major
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In these bars, in spite of the strict analogy to b. 13-16 (except for the first two and the last semiquavers), Chopin wrote a different pedalling. Due to a dense notation and the use of an abbreviation in b. 32, it posed, however, similar challenges in its interpretation. The copyist considered – and rightly so – that leaving the last See also b. 1-4. category imprint: Differences between sources issues: Inaccuracies in FE , Fontana's revisions |
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b. 33
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composition: Op. 28 No. 5, Prelude in D major
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An earlier starting point of the category imprint: Differences between sources issues: Inaccuracies in FE , Inaccuracies in FC |