Page: 
Source: 
p. 1, b. 1-39
p. 1, b. 1-39
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1a
EE1a - Corrected impression of EE1
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Pedalling
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1a
EE1a - Corrected impression of EE1
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  b. 14-16

Pedalling in A (probable interpretation→FC)

Pedalling in FE

Pedalling in GE

Pedalling in EE

At times, the pedalling of A is difficult to interpret here due to a dense notation and crossings-out. The  mark can be particularly troublesome, since it encompasses two notes sometimes. In the main text we give a version that is compatible with the notation and that includes the harmonic changes. This is how it was reproduced by Fontana in FC; however, neither FE nor GE repeated that version. The notation of EE is also noteworthy: a  mark at the beginning of the bar is followed by two  marks, one in the middle and the other at the end of the bar. The above situation can be observed three times.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE, Inaccuracies in FE, Errors in EE, Inaccuracies in A

notation: Pedalling

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a