Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1a
EE1a - Corrected impression of EE1
compare
  b. 29-32

Pedalling in A

Pedalling in FC

Pedalling in FE

Pedalling in GE

Pedalling in EE

In these bars, in spite of the strict analogy to b. 13-16 (except for the first two and the last semiquavers), Chopin wrote a different pedalling. Due to a dense notation and the use of an abbreviation in b. 32, it posed, however, similar challenges in its interpretation. The copyist considered – and rightly so – that leaving the last  mark written by Chopin (in b. 31) without a  mark is an inaccuracy, which he tried to fix by adding a  at the end of b. 31. However, that does not remove the inaccuracy if the markings in b. 32 are to be repeated – if such was the case, a  mark would be missing at the beginning of b. 32. The above is probably the reason why the pedalling in b. 32 was completely omitted in GE. According to us, Chopin's intention was interpreted correctly in FE, which repeated the markings from b. 31 in b. 32 and added a  mark at the end of it. Moreover, in FC (→GE) the  mark at the end of b. 29 was placed – contrary to A – under the last semiquaver. In FE it is also the marks at the end of b. 30 and 31 that were reproduced like that. EE stand out due to an erroneous omission of pedalling starting from the 3rd beat of b. 30.

See also b. 1-4

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in FE, Fontana's revisions

notation: Pedalling

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