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b. 10
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composition: Op. 28 No. 16, Prelude in B♭ minor
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |
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b. 10-11
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composition: Op. 28 No. 16, Prelude in B♭ minor
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The missing cresc. - - - in FE (→EE) is most probably a mistake of the engraver. It was the entire indication that was overlooked in b. 10-14. category imprint: Differences between sources issues: Errors in FE |
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b. 11
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A (→FC) this bar is written as a repetition of the preceding one (with the use of •/• marks). A similar situation is to be found in b. 13 and 35 and 37. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 12-13
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A (→FC,FE) there is no accidental before the 4th semiquaver in the 3rd group, which would result in f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A , Errors repeated in FE |
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b. 12
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In the main text we include the fingering entered into FESch, which could be coming from Chopin. The second and third digits are written inaccurately; we interpret them in accordance with the unequivocal entry in an analogous situation in b. 10. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |
2, which is impossible in this context. The oversight of a cancelled alteration, frequently encountered in Chopin's music, was corrected in 
