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b. 3-4
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A one can see that three accidentals were crossed out; it seems that Chopin wrote them "just in case." Afterwards, it turned out that they were superfluous – the category imprint: Source & stylistic information issues: Cautionary accidentals , Deletions in A |
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b. 4
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In FC there is no accidental before the 2nd semiquaver in the 3rd group. The structure of the figuration and the category imprint: Differences between sources issues: GE revisions , Errors of FC |
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b. 6-7
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composition: Op. 28 No. 16, Prelude in B♭ minor
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |
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b. 8
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A (→FC,FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 8-11
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A one can see that Chopin would prolong certain L.H. slurs by adding to the slur the 4th quaver of three consecutive halves of bars, A, B category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
before the penultimate note in b. 3 and the flats before d
3 and g
present two notes further (as well as analog. b. 20) made the reviser of 
